I enjoyed this a lot more than I expected, though I don't know why I didn't expect to like it. I mean, I do love dystopian novels set in the future, and some of the most interesting of this genre are aimed at the "young adult" audience. (One of my favorites is The Dying Sun, btw.) So, this story was right up my alley.
This book started off strong, but dragged a bit in the middle. The author is clearly very good at this subject: the world of William Shakespeare in the year 1599. The book is broken up into sections: spring, summer, fall, and winter.
I only gave this three stars, even though I thought the book was great. I reduced the star value because, though the book has a fantastic subject and the writing is wonderful, the information is necessarily dated. (This is the revised edition, which was published in the 1990s.)
Wow, I had heard good things about this book, but I didn't expect to be so moved by this alternately fascinating and frustrating story. The author does a fantastic job of telling the story from both points of view: the American doctors' and the Hmong family's. She manages to present both groups sympathetically, which must have been a huge challenge considering the story of Lia, the Hmong child at the center of it all.
Eh, not the best Bones book. I guess everyone has to do a Voodoo/Santeria themed book. I do like Brennan, though, as always.
I actually liked this book a lot more than I expected. The opening chapter kind of put me off, but I pushed through, and I'm glad I did. The opening is a sort of Kerouac-ish, romanticized, stream-of-consciousness-ish, description of a road trip.
I wanted to like this more than I did. I didn't *dislike* this, but it was kind of lackluster. I wanted to read it because it's set in Quebec, and after enjoying that part of the Temperance Brennan series, I saw this at the library and grabbed it. I think the series will get better, because the setting is great: the combination of cultural artifacts and languages in Quebec makes for interesting reading.
I began this with some trepidation, considering its length. I made it through, but I doubt I'll read it again.
For a book that starts with an ugly triple murder, this book is remarkably sweet and touching. I really enjoyed Bod, the main character, and his guardian Silas. But all of the ghost characters are wonderful.
This book was actually great! I really enjoyed it a lot, though I wasn't expecting to, necessarily.
I really enjoyed this! I didn't expect it to be such a wild ride, but it was hilarious and oddly touching.
I wanted to like this book, but in the end, I thought that it was basically Annie Dillard-style writing, but not nearly as polished and seamless as Dillard's work.
I really enjoyed this biography of the Carter family. I expected to enjoy it, as I've heard good things about it, and I love the music of the Carters. But I really zipped through the book because it was very easy to read, and well-written.
I love Hiaasen, and he is in top form here. I don't rate it higher because, though his points are well taken, it's such a rant that I didn't really enjoy reading it.
I love the Mrs Pollifax books. They are charming right through. I love that the heroine of these books is an old lady...it's a nice change. It's a little bit Angela Lansbury, I suppose, but charming all the same. I think that Mrs Pollifax has a good bit of spice in her that perhaps Murder She Wrote didn't have.
This is another great and funny short novel by Hiaasen. I enjoy his adult-oriented novels too, but his earlier YA novel Hoot is, IMO, some of his best work. This one isn't quite as tightly presented as Hoot, but it's highly enjoyable as well. A few situations in Flush were slightly improbable, but the characters and the settings are where Hiaasen shines anyway. (Obviously, the situations in his adult novels are improbable, but it seems less important than in his YA work.)